An atypical composer with multiple influences, Bernhard Lang puts a true philosophy of the world at work in his music. Nourished by the media—cinema, literature, dance—by microtonal music, and by the practice of improvisation and computer composition, his musical thinking is turned upside down by the reflections of G. Deleuze (Difference and Repetition, 1968), giving rise in particular to the series Differenz/Wiederholung (1998-2008).
From then on, his work is largely based on the principle of loops of the Austrian director M. Arnold and on the cut-up technique of W. S. Burroughs.
An eclectic artist, he has created numerous sound installations, performed as an improviser and, for the past fifteen years, has devoted himself mainly to stage music.